Sunday, April 4, 2010

The Easter Vigil



For those of you from different traditions, the Easter Vigil is the ancient service of the Resurrection that takes place between sunset Saturday and sunrise Sunday. It's awesome, in every sense of that word.




It is sunset. The evening is cool and the breeze makes it hard to light the big candle. We are quiet; even though we’re outdoors, any necessary conversation is whispered. It’s been a hard week, and we’re tired. We’ve been through betrayal and suffering and death and absence; we’ve been here every night. We kept watch until it was all over.

The deacon lifts the candle out of the backyard grill that someone brought for the new fire. He holds it out and we crowd around, wanting our share, lighting our smaller candles, passing the flame around until everyone carries one, even children. Especially children. The deacon enters the shadowy church, holds the candle high, and sings.

The Light of Christ.

We sing back.

Thanks be to God.

He sings it again, then again, as he makes his way to the altar. We follow him, shuffling into our pews, quietly, quietly. The church looks foreign. It’s dark and so very clean. There are no flowers, no candles on the altar. The choir, deacon, and priest wear only black cassocks. No hangings, no incense, no sacrament in the ambry. The church is as bare as a rock-hewn tomb.

The deacon places the candle in its stand, and by its light he sings again.

Rejoice now, heavenly hosts and choirs of angels, and let your trumpets shout salvation, for the victory of our mighty King.


The first little tingle of anticipation sparks in our bellies.

This is the night when you brought our fathers, the children of Israel, out of bondage in Egypt, and led them through the Red Sea on dry land.

It’s a very ancient hymn, so it’s very long. We shift from foot to foot and take our children’s candles away before they hurt someone. But the words still move us there in the darkness.

This is the night when Christ broke the bonds of death and hell, and rose victorious from the grave.

The excitement tingles a little less subtly now, but we know we have a long way to go. We finally sit, and prepare ourselves to hear the Story. Reading, psalm, collect. Reading, psalm, collect. Reading, psalm, collect. They’re long readings, and the plainchant of the psalms is sometimes difficult. It’s hard to see our service booklets in the dim light. The children grow restless, so we take them out, then bring them back in, and still the Story goes on. It is our story, the story of how God gave us this night.

We have a baptism tonight. An adult, a middle-aged woman, is taking her place in the Story. This is not a Sunday morning baptism. This is no sprinkle on a baby’s forehead, with silver shells and dainty purificators. The font is as big as a trough, in fact it is a trough draped with white cloth, and she kneels in the water, soaking her clothes. Quietly the priest scoops up water into his big hands and pours it over her head. Then he pours oil over her, so that its fragrance fills the church. It runs down her cheeks and her neck.

The deacon and another helper assist her out of the font and pat her with big, soft towels. She’s by no means dry, but she’s no longer dripping. She turns to the priest, and we can see her tears in the candlelight. The priest robes her in white, then leads her to her place in the front row.

We are silent, tense, expectant. We can hardly breathe.

The priest and deacon kneel on the steps in front of the bare altar, and the priest begins the Litany of Saints, another ancient and long prayer. He starts slowly, chanting into the darkness.

Holy Mary…pray for us.

Members of the altar guild rise from their pews and enter the sacristy. We barely see what they are doing, we are chanting.

Saint John…pray for us.

Silently, flowers bloom in the darkness, golden candlesticks glow with the light of the Paschal flame. The altar is adorned with white. We don’t really see this, it’s dark, and we are chanting.

Saint Mary Magdalene…pray for us.


The rhythm picks up, faster and faster, until there’s barely time to say pray for us before the next saint is invoked. Anticipation is building. There is a rumble beneath our feet, it’s so low we almost can’t hear it. The earth seems to be shaking. Slowly it builds, coming out of the organ and up through the floor, up through our bodies and out of our mouths as we nearly shout, pray for us pray for us pray for us.

The earthquake crescendos and the priest leaps to his feet on the last breathless note. As he rises, so does the light, and we gasp at its presence.

“Alleluia! Christ is risen!”

The priest shouts it….we’ve been building to this moment all week, all year, all eternity.

“The Lord is risen indeed! Alleluia!”

He shouts it again, his fists raised in triumph.

“Alleluia! Christ is risen!”

“The Lord is risen indeed! Alleluia!”

The glory of it all rolls out of him and over us. He proclaims it again, his voice breaking with joy, challenging us to match him.

“Alleluia! Christ is risen!”
“The Lord is risen indeed! Alleluia!”

He shouts again and again, and we answer again and again. His hands are raised, his face is flushed. Many of us are crying. Our voices are going hoarse.

“Alleluia! Christ is risen!”
“The Lord is risen indeed! Alleluia!”

Finally, the organ picks up the cry, swelling from under the priest’s voice, until we are all singing out at the top of our lungs, “He is risen, he is risen, tell it out with joyful voice!”

The priest and deacon leave, and return a moment later in vestments of gold-on-white. The deacon lights the incense and we are soon breathing in what we’re singing about. The newly baptized woman is being hugged by everyone in the church as we all continue to sing. Every sense is alive.

“Death is conquered, we are free! Christ has won the victory!”

The priest stands in front of the altar, framed by candles, surrounded by an overflow of flowers. Lilies and azaleas, gold and silk.

Some of us are still crying, hugging, humming. We can hardly sit still, we can hardly be quiet. It is Easter, and Christ is risen.

Friday, April 2, 2010

The Passion of the Christ, 2004




This is my review of The Passion of the Christ. It's also posted, with video, on Kat's Film and Book Reviews. It's been rainy all day, but it really started thundering hard at 3:30. Very appropriate for Good Friday.

The Passion of the Christ
2004
Rated R
Directed by Mel Gibson



I was in a unique position for the original release of The Passion of the Christ.  I was teaching in a liberal Christian college, which was nestled in a very conservative Christian culture.  From my liberal colleagues—most of whom refused to see the film—I heard strongly worded condemnations of the supposed anti-Semitism of the film, and critical, even horrified, assessments of the “unnecessary” violence of the film.  From my more conservative church members, I heard the elevation of the film to the level of Scripture--also often before they had seen it.


There’s some justification for considering the film to be faithful to the spirit of Scripture, even if it’s not exactly revelation.  With an emphasis on John’s gospel, borrowing from other gospels and certain mystical works, it’s hardly a mistake to consider the film a reliable resource for historical, even theological, information.  In that context, the charge of anti-Semitism needs to be addressed. 


This is a more complex line of thought than it might seem.  The canonical evangelists, all but one of whom were Jews themselves, tended to be very hard on their own people.  Their frustration with the Jews was born from the exasperated love for beloved family members who refuse to act in their own best interest.  “He came to his own, and his own knew him not.”


But the fact is, the Jews had no power to execute anyone.  They were an oppressed and occupied nation.  Only the legal authorities of the Roman state, represented by Pontius Pilate and his military support, had any power over rebels, traitors, or insurgents.  Both history and Scripture make it clear: the Romans, not the Jews, are responsible for Jesus’ death and punishment.  The film does not equivocate in this matter.  Pilate was conflicted and compromised, Roman troops ranged individually from compassionate to sadistic, and in that context, Jesus suffered standard Roman punishments. 


Though director Mel Gibson doesn’t leave the burden of blame on the shoulders of the Jews, he certainly does fail in exploring the untenable position the Jews were in in relation to Jesus of Nazareth.  Gibson plays the Jewish contingent at the surface level, giving his actors very little complexity to attach themselves to.  It’s faithful to the letter of Scripture, but misses an opportunity to flesh out the conflict, especially on the Jewish side.


The objection to the violence of the films is another matter, and it’s hard for me to be patient with that line of thinking.  I’m reminded of the anecdote about the British lady who objected to the film, because “it makes our Lord’s crucifixion seem so unpleasant.” Whatever one thinks of Jesus, he was both flogged and crucified. 

This is no sanitized-needle lethal injection in which the criminal just falls asleep.  It’s not even a bloody but quick beheading.  It’s one of the most tortuous and violent means of death ever perpetrated by men upon other men.  If you’re going to make, or watch, a film focusing on the suffering (and “passion” means suffering) of a historical figure, you’re going to have to deal with that suffering.  If you can’t stand it, then don’t watch it, but don’t criticize the filmmakers for being honest to the historical events.  As far as I’m concerned, it’s a point of honor; I can’t keep him from suffering, but since he did it for me, the least I can do is watch without turning away.


It’s that devotional impulse—the “he did it for me”—that appeals to the devoted Christian audience.  These are folks for whom the same Jesus portrayed by Jim Caveizel is a living, active presence in their lives.  To be exposed to the real suffering of the One they love most, to have it taken out of stained glass and Italian sculpture, is an incredibly powerful experience.  In that power is the reason for the film’s success.  For the faithful viewer, it’s all about the conviction that while Jesus was suffering, he was thinking of me.


Nevertheless, Gibson understands that even those of us who were “washed in the blood,” can’t maintain an emotional investment in non-stop, unbroken violence.  Gibson tempers the harshness of Jesus’ suffering, especially as he is more and more disfigured, with flashbacks of Jesus teaching and healing.  In these flashbacks, we see Jesus as active, intentional, and above all, strong.  This is a masculine, assertive Jesus, with both compassion and joy—and a bit of a temper. 


Thank God for that. Heaven knows that between numerous “Jesus films” and the efforts of countless preachers, we’ve had enough portrayals of Jesus that reduce him to a weak, asexual, effeminate being, the “declawed Lion of Judah” we so often get in church—“fit only as a pet for pale curates and pious old ladies.”  In addition, Caviezel is beautiful—physically beautiful—in this role.  The more bloodied and objectified Jesus gets, the more desperate we are to see the agent Jesus—acting on others, not being acted upon, and full of glowing health and vitality.  By the time Jesus dies in ugly horror, we need the Resurrection.  It’s a privilege and a profound relief to see our Jesus restored to his intensity and masculine beauty. 

 
Gibson’s film is not above criticism, and it would be a mistake to transfer our love for Jesus to Mel Gibson. Jesus’ suffering seems abstract at points, leaving the viewer to wonder just how much Gibson counted on his viewers to fill in motivation and conflict.  The figure of Judas is creepy and pathetic, but we are given little insight into why he betrayed Jesus.  The androgynous Satan figure actually works surprisingly well as a symbol of the insidiousness of temptation, though I spent too much time trying to discern whether that was actually the actor’s own voice the figure used.  But in the end, the film was made with love for its subject matter, and believers, at least, benefit in the making-real of something that has too often been kept at a distance.     

Saturday, March 20, 2010

KU is Outta There!




I don't follow sports that much, but I do try to cheer on my teams when I can. So, the Royals, the Chiefs, and KU, pretty much. And here was KU, in March Madness, in a tournament where they were highly favored and expected to go all the way--I was so excited! These are my guys (when I'm paying attention).

But they crashed! Against Northern Iowa! I mean, the Panthers have a good record, obviously, or they wouldn't be in the tourney, but STILL! And it was SO CLOSE! So, now Northern Iowa will go on to the Sweet Sixteen, and KU won't.

Here's the article from Rivals.com.


Panthers knock off No. 1 Kansas 69-67


By JOHN MARSHALL, AP Basketball Writer 28 minutes ago
Preview | Box Score | Recap



OKLAHOMA CITY (AP)—Ali Farokhmanesh hit another big 3-pointer with 34 seconds left and Northern Iowa pulled off the biggest upset in the NCAA tournament, beating top overall seed Kansas 69-67 in the second round on Saturday.

Northern Iowa (30-4) won the tempo tug-of-war, grounding the high-flying Jayhawks with in-their-jersey defense, then withstood a furious rally to become the first team to beat a No. 1 seed in the second round since UAB and Alabama did it to Kentucky and Stanford in 2004.

The ninth-seeded Panthers led early and made just enough plays late to pull off the biggest win in their history.

Kansas (33-3) trailed nearly the entire game, finally pulling close in the closing minutes behind its fullcourt pressure. The Jayhawks never made it all the way back, though, bowing out early in what was supposed to be another title run.

Monday, March 15, 2010

This Day and Always


O God of the ages, amidst the ever-changing scenes of life you are the same yesterday, today, and forever. Look down upon up and bless us, and let your face shine upon us. Direct and protect us this day and always. Amen.

Tuesday, March 9, 2010

AJ and JC


About 2 Christmases ago, "David" got Abby the Jesus Christ Superstar concept album (I put David in quotes because he didn't exactly go out and buy it, you know?). Being the dramatic young Christian girl that AJ is, we knew she'd really like it. When I was a teenager, I used to play the movie soundtrack at full volume on my back deck while singing and acting out all the parts--and we figured that AJ, not being THAT different from me, would enjoy doing the same thing.

However, in a 2-year fit of contrariness, she refused to listen to the CDs (and yes, she can maintain a fit for 2 years without breaking a sweat). But a few weeks ago, I was listening to it in the car on my way to my classes in Cassville (where AJ likes to come and sit in), and she really started getting into it. Disturbingly, her favorite song is the one that the high priests sing, and I have to admit, it IS catchy. By the time we got to campus, she was belting out, "Must die! Must die! This Jesus must die!"

It was a special moment.

Anyway, she uploaded the whole thing onto her i-pod, and she asked me if we could play the soundtrack in the car again on the way to class Thursday. I admit that I have said once or twice, "I KNEW you'd like it if you gave it a chance!" I am trying very hard not to let that become "I told you so..." but it's not easy.

By the way, did anyone see the 2001 remake of JCSS? I've seen bits of it, and it seems to be as awful as everyone says, but I was interested to see that Rik Mayall played the role of King Herod. Does anyone else remember him from The Young Ones? God, I thought that show was funny when I was in high school.

Monday, March 8, 2010

March Observances

The month of March is:

* Cataract Awareness Month
* Chronic Fatigue Syndrome Awareness Month
* Colorectal Cancer Awareness Month
* Craft Month
* Deaf History Month
* Feminine Empowerment Month
* Foot Health Month
* Frozen Food Month
* Furniture Refinishing Month
* Gardening, Nature and Ecology Books Month
* Hemophilia Month
* Humorists Are Artists Month
* International Hamburger & Pickle Month
* Irish-American Heritage Month
* Mental Retardation and Developmental Disabilities Awareness Month
* Music in Our Schools Month
* Middle School Month
* Mirth Month
* Noodle Month
* Nutrition Month
* Peanut Month
* Poison Prevention Awareness Month
* Professional Social Work Month
* Red Cross Month
* Rosacea Awareness Month
* Social Worker's Month
* Talk with Your Teen about Sex Month
* Women's History Month
* Youth Art Month

Weekly
First Week in March

* American Summer Camp Week
* Federal Employees Recognition Week
* Pet Sitters Week

Second Week in March:

* Girl Scout Week
* Procrastination Week (Second Week of March)


Third Week in March:

* Campfire Boys and Girls Birthday Week - Observed the week containing March 17th
* Chocolate Week
* Inhalants & Poisons Awareness Week
* Poison Prevention Week


Fourth Week in March:

*Egg Salad Week

Daily

1 National Pig Day
1 Peanut Butter Lovers Day
2 Read Across America Day
3 National Anthem Day
6 Dentist's Day
6 Frozen Food Day
8 International Women's Day
9 Cabin Fever Day
11 Organize Your Home Office Day
14 Potato Chip Day
14 Save a Spider Day
16 Hiccup Day
19 Chocolate Caramel Day
20 Barbie Doll Day
20 Earth Day
22 Goof Off Day
22 National Sing Out Day
24 Chocolate Covered Raisin Day
25 Waffle Day
27 Fly a Kite Day
28 Something on a Stick Day
28 Weed Appreciation Day
30 Doctor's Day

Tuesday, March 2, 2010

St. David




Yesterday was St. David's Day, so David got to pick the dinner (hot dogs, mac & cheese, and salad with ranch dressing) and he got a little present (a crucifix nightlight). March is a great month for saints' days--in addition to St. David, there's St. Patrick, St. Joseph, and the Annunciation. All good days to go back to eating meat! It's very exciting. The picture above is of St. David's Cathedral, where he is buried.

Here's some info about St. David from Wikipedia.

He became renowned as a teacher and preacher, founding monastic settlements and churches in Wales, Cornwall and Brittany in a period when neighbouring tribal regions (that were to be overrun by Anglo-Saxon or Frankish tribes over the following three hundred years) were still mostly pagan. He rose to a bishopric, and presided over two synods, as well as going on pilgrimages to Jerusalem (where he was anointed as an archbishop by the Patriarch) and Rome. St David's Cathedral stands on the site of the monastery he founded in the 'Glyn Rhosyn' valley, in Pembrokeshire.

It is claimed that David lived for over 100 years, and he died on a Tuesday 1 March (now St David's Day). It is generally accepted that this was around 590, making the actual year 589. The monastery is said to have been 'filled with angels as Christ received his soul'. His last words to his followers were in a sermon on the previous Sunday. Rhygyfarch transcribes these as 'Be joyful, and keep your faith and your creed. Do the little things that you have seen me do and heard about. I will walk the path that our fathers have trod before us.' 'Do the little things in life' ('Gwnewch y pethau bychain mewn bywyd') is today a very well-known phrase in Welsh, and has proved an inspiration to many.


There you have it, my friends. Do the little things in life.